Our mother died 28 years ago today. She was 57 - a year younger than I am now. I wrote this memoir a while ago but it felt like a good way to remember her today, especially with memories of my brother's earlier lives so fresh in my mind.
Portrait
of Mum
The
morning of my brother’s wedding we found my sister in law to be walking round
and round in circles in the garden, curlers in her hair, talking aloud to our
mother.
Welcome
to the family, I thought. Ma had been dead for ten years but she was still a
very living presence among us.
And
yet, just like my sister in law who has only known her from stories, I wonder
if I ever really knew my mother. She changed so dramatically while I was still
quite young, so that we never really met each other as adults – certainly not
as woman to woman.
So
this is an attempt to reconstruct her image, looking at snapshots from a family
album, noticing the changes as they happen gradually over the years. Maybe,
like photos, none of them really capture the person herself but I’m glad to
flip the pages and remember her anyway.
1969
My
mummy has blonde streaks in her hair and a suntan. She wears pink suede shoes
the colour of crushed strawberries and cream, and a suede chain belt. She does
costumes for the Dramatic Society and sometimes does some acting too. In her
handbag there are sticks of greasepaint with exotic names like Light Egyptian
alongside her own pink lipstick, which I love because it smells of roses
and it’s worn into a spindly point. I try it on sometimes and try to imagine
how she could get it into a funny shape.
Most
little girls have a phase as they grow up when they want to marry their dad. I
think I would have liked to marry my mummy. To me as a child she is the epitome
of womanliness and style.
My
mummy is mild mannered, girlish and shy, though sometimes she says rude words.
Although
she grew up in the city, in what is now darkest Pitsmoor, she knows the names
of wild flowers, trees and birds and where to find them; which mushrooms are
poisonous and which will be good to eat, and the shapes of clouds and what
weather they will bring.
She
sings us songs, some of them in Irish. Her voice is sweet. You can tell that
she and my daddy are very happy together.
1979
On
holiday in Scotland, we have just left a hotel at 9o’clock at night because my
mum refused point blank to spend another moment there. Having checked in
earlier, she suddenly decided that there was something horribly wrong with the
room and that we couldn’t sleep there.
True
enough, as we do finally check out, we discover that there has been a suicide
in the room next door and as we are leaving we actually see the ambulance crew
and the body being taken away covered in a sheet.
And
true enough, my mum does have a sixth sense about many things, but she is also
becoming a social liability.
At
this point, none of us quite realizes, except my dad perhaps, that she is ill.
In
Edinburgh she totters unevenly along the pavement in unsuitable heels, talcum powder
erupting bizarrely from her shoes at every step, speech just slightly slurred,
and a boy nudges his friend and points – “Look
at her – she’s steaming”
They
think she’s drunk, and she’s not – it’s not even lunchtime. We silently close
rank to her defence, but we’re embarrassed too.
Her
obsessions – the copious talcum powder for instance – and her sudden,
frightening bursts of hysteria – these are things that distance her and make it
hard for me to accept. Hard to confide in her when one minute she’s gentle and
chatty and ready to listen, the next she’s off like a banshee.
I tell
her my dream of one day going to New York to study film.
“Do you want to kill me?” she cries at once. “If you go to New York you will kill me!
It’ll kill me!!”
For the next three weeks and beyond – “You’re going to kill me!” and sometimes,
more pathetically, “Don’t go to New York,
please, please don’t go. You know you’ll kill me.”
Me: “Mum. I’m still at school. I’m not bloody
going anywhere”
And so
it becomes increasingly hard to really communicate about the things that
matter. So few things I dare tell her in case it sets her off. So hard it feels
to understand what is going on in her head, even if she would tell me.
Which
means that little by little, we just sort of lose sight of each other somehow.
1989
Ma
sits like a broken doll in her pink high backed chair.
“What kind of soup would you like today?”
I ask her.
“Chi’en.” She can hardly get the word
out.
I prop
another cushion behind her back. Everything in this room is broken or stained.
Ma has so many accidents.
Today
she can’t get comfortable. Her voice rises anxiously as I stir the soup in the
kitchen next door – she doesn’t like to be left alone for long.
My dad
is in hospital overnight for a minor operation and she won’t have any truck
with respite care, so I take time off and come up from London to look after her
for a week.
Looking
at her delicate skull under thin whitish hair that was once so wavy and rich, I
feed her soup a little bit at a time with a baby’s plastic spoon and feel a
mixture of emotions: pity, guilt, revulsion sometimes, love much of the time,
sorrow all the time.
Ma
sits day after day in her chair, staring at the television or the wall, body
disobedient and battered, being helped to the toilet and in and out of bed
where she lies like a lump for hours in a drugged-up sleep.
Sometimes
I still can’t help thinking, For God’s
sake, snap out of it! I know you’re just pretending!
But
that’s my denial, not hers.
It’s
just that – even in her advanced stage of illness, unable to lift a cup to her
lips, unable to feed herself or eat much without choking, hardly able to speak
coherently let alone write, this week while we’re here together she makes such
a gesture of love. It’s as if the mothering instinct and the urge to comfort
her child somehow overrides her own pain and makes her suddenly lucid again.
I’ve
come home for this week in horrible misery, caught up in a stupid love triangle
that feels like a torment I’ve gladly escaped from.
Ashamed
to talk about it, I try to keep it from her and make my long unhappy phone
calls late at night when she’s asleep, and cry when she’s asleep – grieving for
her and all our lost times as well as for the fucked up relationship.
But
after my dad comes home and I have decided to take a bit more time off and stay
a little longer, I find a card on my bed written in her half legible useless
spider’s-scrawl writing saying, “Don’t
worry darling. It will all be alright. We are both so proud of our lovely daughter”
It
breaks my heart. And it makes me see so clearly that within that sad shell of a
body and unknowable mind, my mum is still there in spirit.